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Right after the release of Bhoot — Part One: The Haunted Ship, Vicky Kaushal had headed to Russia to shoot for Sardar Udham Singh. Almost 10 days since, the actor wears a look of pride as he discusses the recently wrapped-up biopic on the revolutionary who shot down General Michael O'Dwyer to avenge the Jallianwala Bagh massacre. Kaushal admits that he feels emotionally close to his muse because it's a story that is lost in the pages of history.' Being a Punjabi, I have grown up hearing Udham Singh's story.
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Sardar Udham Singh is an Upcoming Hindi Language Movie of 2020.This movie is a Biographical genre movie.This movie features Vicky Kaushal, Banita Sandhu, and others. Also, This movie directed by Shoojit Sircar.This Hindi film produced by Ronnie Lahiri, and Sheel Kumar under the banner of Rising Sun Films and Kino Works.This movie will be released on 2nd October 2020. Mar 06, 2019 Sardar Udham Singh (2020) is an Indian biographical drama film. This film is based on the life of the freedom fighter and revolutionary Sardar Udham Singh. After the portrayal in Sanju (2018) and Uri: The Surgical Strike (2019), Vicky Kaushal has become the blue-eyed boy of Bollywood.
He is not as widely known as the other freedom fighters, but being a Punjabi boy rooted in the culture, I was ecstatic about doing the movie,' smiles the actor. Bringing the story of a national hero to celluloid is as much a responsibility as a matter of pride. Kaushal stresses that under the watchful eyes of director Shoojit Sircar, the film has decoded the enigma that was Udham Singh. 'People know of him in broad strokes, but this film delves into his psyche.
I used to get emotional on set every day as I kept discovering the character. It moved me to think of this young man and his hunger for freedom.' Shoojit SircarAfter Uri: The Surgical Strike (2019), Kaushal's name has become synonymous with patriotic films. Soon after the raging success of Uri, he released his look as Sam Maneckshaw for Meghna Gulzar's next, thus furthering this brand of cinema. Ask him if Sardar Udham Singh follows the same vein, and he reasons, 'I don't want to have an image. I hope to be a damn good actor first, who is honest to his movies.
Once on board, I am 100 per cent devoted to the film, be it Takht or Ashwathama or Sardar Udham Singh. I don't think about how these movies will position me as an actor.' Catch up on all the latest and gossip here. Also download the new mid-day and apps to get latest updates.
Running time 120 minutes Country India Language English Budget ₹1 crore (equivalent to ₹2. Keytext Serial Number.
7 crore or US$420,000 in 2016) Box office ₹1.4 crore (US$220,000) Mr. Iyer is a 2002 Indian film written and directed by and produced by N. The film features Aparna Sen's daughter as Meenakshi Iyer, a who is a Hindu. Portrays the character of Raja Chowdhury, a. The story revolves around these two lead characters during a fateful bus journey amidst the carnages of a communal strife in India., an Indian maestro, composed the background score and music for the film;, a film director himself, was the cinematographer.Iyer premiered at the in and was showcased at other prominent.
The film opened to Indian audiences on 19 July 2002. It was met with critical acclaim upon release, and won several national and international awards, including the Golden Maile award at the and the in India. The film, which was also released as a, had English as its predominant language with a sporadic use of,. Contents. Plot Meenakshi Iyer and her infant son, Santhanam, embark on a bus journey to return home, after visiting her parents. At the bus station, Meenakshi is introduced to Raja Chowdhury by a common friend.
Raja, a wildlife photographer, is requested by Meenakshi's parents to look after their daughter and grandson during the journey.The passengers of the bus include a boisterous group of youngsters, two men, an elderly Muslim couple, a young couple high on romance, a mentally challenged boy and his mother, and some card-playing men. The bus faces a roadblock and the bus driver attempts a detour, but is stopped by traffic jam caused by sectarian violence between Hindus and Muslims in nearby areas. Raja reveals his Muslim identity to Meenakshi.As someone who comes from a and conservative Hindu family, Meenakshi shudders at the very fact that during their travel she drank water offered by Raja, a Muslim.
She is shocked and asks Raja to not touch her. Raja contemplates leaving the bus, but is forced to get stay inside by the patrolling police, who declare a curfew due to the riot.The four-minute video by the group The Ska Vengers takes its title, “Frank Brazil”, from an alias used by Shaheed Udham Singh during an overseas undercover trip. This video is dedicated to Shaheed Udham Singh, Revolutionary executed for the assassination of British general Michael O'Dwyer. It traces the Shaheed.
Shaheed Udham Singh Full Album to download, Shaheed Udham Singh belongs to Punjabi Music,Shaheed Udham Singh available to free download.After the police leaves to scout other areas, a rioting Hindu mob arrives and forcibly enters the bus. They begin interrogating passengers about their religious identities and when in doubt, they even resort to check if the person is. In order to protect himself from them, one of the passengers, who is Jewish and hence circumcised, points out the old Muslim couple to divert the mob's attention. The mob's leader drags the old couple out of the bus.One of the teenagers resists this, but she is assaulted by the mob. As Raja attempts to rise in revolt, Meenakshi plants Santhanam on his lap, ordering him to hold the baby with an intent to shield Raja's Muslim identity.The mob asks about their identities, and Meenaksi tells the leader that she is Mrs. Iyer and Raja is her husband.
After this chilly encounter, the passengers spend the night in the bus. In the morning, the passengers trek to a nearby village to seek accommodation. Raja and Meenakshi, identifying themselves as Mr.
Iyer, fail to find any accommodation.However, the police officer, who was patrolling the earlier evening, bails them out by providing shelter at an abandoned forest bungalow. They are provided with the single usable bedroom available in the bungalow. Meenakshi refuses to share the room with Raja, and curses herself for coming along with a stranger.
Raja confronts her on her outdated prejudices about caste and religion. After a brief quarrel, Raja allows her the comfort of the bedroom and prefers to sleep outside.The next morning when Meenakshi does not find Raja, she gets worried and angry as to why he left Santhanam and her in such a place. Soon, she feels relieved to find Raja sleeping outside.
After they reach a restaurant in the nearby village, they meet the teenagers from the bus. The girls are excited and curious to know about Meenaakshi and Raja's love story. To keep their farce alive, both of them cook up an impromptu story right from how they met till where they went for their honeymoon. During their stay at the bungalow, they discover each other's beliefs and understanding of religion. That night, as they witness a horrific murder by one of the mobs, a shocked Meenakshi is comforted by Raja.The next day, they reach a railway station with the army's help.
There, they board the train towards their destination. At their destination station, Kolkata, Meenakshi's husband arrives to receive his wife.
Meenakshi introduces Raja to her husband as Jehangir Chowdhury, a Muslim man who helped her (a Hindu woman) during the curfew. Raja hands over a camera roll to Meenakshi, containing the photos of their journey; they bid an emotional farewell to each other. Cast. as Meenakshi S.Iyer – A traditional traveling with her son, Santhanam, in the bus on her way to meet her husband. She meets a fellow-traveler, Raja Chowdhury, and gets drawn to him due to the surrounding circumstances. as Jehangir 'Raja' Chowdhury – A liberal Muslim by faith, he is a wildlife photographer by profession.
With the imminent danger from the rioters, Meenakshi contrives a protective identity for him as her husband. as Iqbal Ahmed Khan – An elderly conservative Muslim traveling along with his wife, Najma. He ends up as one of the victims of the sectarian violence. as Najma Ahmed Khan – The dutiful and loving wife of Iqbal, Najma perishes in the riots when she comes in defence of her husband.
as Cohen – He is responsible for diverting the attention of the Hindu mob, in self-defence, towards the old Muslim couple. Thereafter, he is petrified thinking that he may also have been killed by the mob who could wrongly identify him as a Muslim, since he is circumcised. as Rajesh Arora – The police officer responsible for controlling and maintaining the law and order in the riot-stricken area. He gets acquainted with the bus passengers and helps the Iyer 'couple' find a place to stay during the curfew.
Niharika Seth, Riddhi Basu, Richa Vyas, Eden Das, Jishnu Sengupta as Khushbu, Mala, Sonali, Amrita, Akash – An enthusiastic young group of friends riding the bus. Production Development , a noted actress and director of, made her debut as a director with the English film (1981). Iyer was her second film in English.She hoped to write a simple romantic story, but it shaped out to be a relationship drama in the backdrop of sectarian violence. Sen came up with the background of the story in the aftermath of and the.
In an interview, Sen stated that the omnipresent, circumstantial violence in the film was only to serve as a strain in the script which aimed to show how the relationship evolves between two people who are forced to be together under trying times. She stated that the time frame of the film was set after the attacks on the on 13 December 2001.
In an interview at the screening at the Locarno Film Festival, Sen revealed that Konkona was involved in the pre-production research, and she suggested the title.About the cinematographer, Aparna Sen said that they had a good rapport and that Ghose, himself an acclaimed director, was one of the best cinematographers she knew. Ghose, in reply, said that he hoped to give his best for the film and thus contribute to their friendship.
Casting Rahul Bose's work in (1994) and (1999) made Aparna Sen feel that he was a good, controlled and intelligent actor.After a costume and a makeup test, he was chosen for the character of Raja Chawdhury. Sen admitted that Bose's work was up to the mark, and working with him was a wonderful experience. She told in an interview that Konkona Sen Sharma's abilities as a sensitive actress fetched her the role of Meenakshi Iyer. Konkona said that she chose this film as she was interested in Indian films made in English, and was reluctant to do regular commercial films.
Sen had penned the elderly Muslim woman's character bearing in mind. Eventually Sikri and the author and playwright were cast to play the roles of the Muslim couple in the film.Santhanam, the infant son of Meenakshi Iyer in the film is Sen's grand niece. Aparna Sen chose English as the film's narrative since the characters are linguistically diverse. She had to make sure that the characters spoke in English with their regional accent. Konkona admitted in an interview that playing the role of a Tamil Brahmin did not come easy. The director forced her to visit (where the major language is Tamil) for two weeks to research her character.
She also said that she had learned many characteristics, nuances and mannerisms native to housewives.She took a close look at lifestyles and customs in and around, a cultural hub in Chennai. She attempted listening to recorded conversations in Iyer households to get a suitable Tamil accent. Filming The production commenced in December 2001. Sen chose to keep the geographical setting unstated because she felt that it was a journey that could take place anywhere.
The film was shot in the foothills of northern.The producers provided a state-of-the-art camera from Chennai's to ensure that the shooting crew was technically better equipped. Rupali Mehta, from Triplecom Productions, the co-producer oversaw the crew of over 100 complete the production schedule in 50 days. The resorted to certain cost-cutting measures to ensure they committed fewer mistakes.For example, they had organised a workshop for the actors to avoid mistakes while filming. While filming in, Sen got embroiled in a controversy for damages caused to the forest bungalow, a heritage property, where a portion of filming was done. She admitted that, to give the bungalow a haunted look, they '. sprayed slush on the walls and plastered cobwebs all over the place.'
However, she claimed that the place was cleaned up after the completion of their shoot. Release and reception Following objections from, two scenes were removed by producers from the version of the film screened in the city of. One scene showed a Hindu man saying—using profanity—that Muslims should be sent back to; the other featured a policeman using obscenities with a undertone. The police felt both scenes were too 'provocative' for a 'communally sensitive' city.However, for the rest of India, the film was screened in its entirety. The film had only modest success; domestically, it made 7.3 million in its first release. However, thanks to its low budget and the spread of in India, it brought in some revenue. Furthermore, the contemporary trend in the channels is to showcase films within months of their release.
This trend helped modest box-office successes such as Mr.Iyer to get additional thrust to their financial returns. Iyer was one of the first films that led to reworking of the business models for small films in India.In addition, Triplecom Productions sold the version in Italy for $20,000. A trade analysis by suggested that small-budget films such as Mr. Iyer did not compromise on marketing budgets, instead they put efforts in marketing themselves more innovatively.
Special screenings and awards In 2002, Mr. Iyer was chosen as India's official entry at the.It ran for 3 minutes longer than its runtime of 120 minutes at Locarno. Though it missed out on the Golden Leopard Award at Locarno, it won the Netpac Jury Prize along with two other films. The film won the Golden Maile award at the 22nd, the Audience Award for the Best Feature Film at the, and the best screenplay award at the 2003. In 2003, the chose to open with Mr. Iyer, while New Zealand's first Asian film festival in 2004 chose to close its 10-day fest with it.The India International Women's Film Festival had a special retrospective to Aparna Sen for Mr. The film was also showcased at the, Regus London Film Festival, Braunschweig International Film Festival, and High Falls Film Festival.
At the in the, it won the Gold prize, awarded to the best film screened that year.Rahul Bose said that when the film was showcased at the Geneva festival, it was seen and liked by, the. Back home in India, Mr. Iyer won the, the Silver Lotus Awards for, the, and the at the 2003 ceremony., an Indian film director wondered if Mr. Iyer could have been sent to the instead of the regular song-and-dance entries.Eventually, the apex organisation that sends the nation's official entries to the Oscars, did not find any film worth sending for the.
Reviews commented in his review in that 'The well-acted romance, as the two principal characters are thrown together by unanticipated events, is hard to resist, even though the answer to the crucial question it raises is all too conveniently deferred time and again.' However, he added that Mr. Iyer '. is not a subtle film.' The also said, 'Sen is anything but subtle in populating the bus with a cross section of class and ethnic types.But the friendship that blossoms between the leads is tenderly depicted and hints at a solution to sectarian strife' magazine praised Aparna sen for her '. attention to detail.' That '. skillfully captures the characters' idiosyncrasies.' Said, 'The actors appear game, yet director Aparna Sen, who conceived the film in the wake of, resorts often to hokey pseudo-lyricism and prefers sound-bite ballyhoo to sociological depth.'
, a website with a medley of reviews by American critics, gives the film a score of 50/100, meaning mixed or average reviews.In his review, Derek Elley of remarked that the film had '. the awkward, issue-driven dialogue and wavering direction, showing influences from both the arty and commercial. The two leads just about scrape through.' Although review praised the director for '. handling (these) scenes in an understated, muted fashion.' Giving '. them the power to disturb and haunt you.' It questioned certain aspects of the film, stating, 'Though the flutters of the heart have been treated with finesse—sometimes a little too prudishly, perhaps, to morality—we are never entirely convinced that love could blossom between Meenakshi Iyer and Raja Chowdhary.' Indeed, Sen was criticised for contriving cinematic situation not quite fitting to the real world, 'Can a married woman with a baby in arms fall in love with a total stranger that she meets on a very short bus journey, however extraordinary the situation may have been?Having decided to drive them to each other's arms, Sen thinks up situations, which are terribly contrived. Sen's story and script are found wanting elsewhere too.
The police officer, who plays the good Samaritan, appears so unreal in the world of rancour that Sen creates. She, probably in her over enthusiasm, lets her own emotions derail her.' Konkona Sen Sharma, who had not been widely seen outside before the release of the film, received particular praise for her performance, '. the movie clearly belongs to Konkona Sen Sharma.
Who as Meenakshi Iyer gets so beautifully into the psyche of a Tamil Brahmin.She emotes just splendidly: when her eyes well up at the thought of parting with Raja Chowdhary, when she gently rests her head on his shoulders in the train, and when her expressions suggest the faintest hint of love, we know that here is a great actress.' A review said, '. Konkana, a youngster, bowls you over with her silently sledge-hammering portrayal of Meenakshi Iyer, a conservative Tamilian Brahmin housewife. Her eyes tell a thousand untold stories.' An Australian critic said that the film, with 'wonderfully nuanced performances by Sensharma and Rahul Bose, whose love affair is as innocent as the lyrical, lingering soundtrack. Mr and Mrs Iyer is a gentle film, whose simple and haunting love story will appeal to the romantic traveller.' The '. attractive lensing by (a director in his own right) and atmospheric scoring by Ustad.'
Were well received. 'Looking through the eyes of Gautam Ghose's illuminating lens, Aparna Sen builds a miniature, but epic, world of tremendous inner strength. In her first seriously politically committed film, Sen takes on the issue of communal conflict with the surging of, painting words on celluloid.If Zakir Hussain creates sounds within the seesaw of silences and screams, cinematographer Gautam Ghose creates a lucid contrast between the silently majestic hinterland and the fundamentalists.' Home media DVD The DVD, which released on 2 June 2004, has subtitle options in English, Hindi, Tamil. It is available in, 24, and format. Soundtrack Ustad Zakir Hussain composed music for the film. For the first time in mainstream cinema, he sang for one part of a song.
He said this in an interview and added that it was only after the track was recorded, the producers decided to go for Hussain's voice.Rahul Bose, who introduced Hussain to Aparna and Konkona, was instrumental in influencing Hussain to compose the for the film. The soundtrack consists of 5 songs: No. Title Singer(s) Length 1.' Kithe Meher Ali' (Remix) Ustad Zakir Hussain and 05:19 2. 'Don't Look Away' Samantha featuring Ustad Sultan Khan (on ) 03:54 3.
'Don't Look Away' (Remix)) Samantha featuring Ustad Sultan Khan (on Alap) 05:21 4.' Kithe Meher Ali' Ustad Zakir Hussain and Ustad Sultan Khan 05:01 5. 'If I'd Known.' Ustad Zakir Hussain and Samantha 05:45 References. ^ Keller, Louise. Urban Cinefile.From the original on 11 September 2007. Retrieved 13 February 2008.
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Retrieved 8 December 2007. Archived from on 11 February 2008. Retrieved 6 March 2008.External links.Song Description Download Udham Singh Jazzy B Shaheed Udham Singh Mp3 Udham Singh Punjabi Movies Jazzy B Udham Singh Free Download.
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